Posts tagged sov

By Dan Kinem



There’s some movies that are so bad you wish you were never born, and then there’s The Mummy’s Dungeon. This is a sleazy piece of shot-on-video fetish horror that is the movie equivalent to the shit that splashed up under the toilet bowl. It’s the type of movie that fails on every conceivable level so bad that it might legally be defined as a torture device.



The Mummy’s D. (as I like to call it) is more of a compilation than a film with a plot, but, I’ll try my best to describe what happens in this turd. There’s an old sleazeball photographer who is taking pictures of girls in his house for a living. He dabbles in Egyptian rituals in order to awaken a sleeping mummy that he, for some reason, has in his basement. An actual line of expository dialogue he delivers is, “I need virgin’s blood to revive the ancient warriors and put Egypt back on the map.” His obsession with Egypt is never explained, nor are there any “ancient warriors.” There’s one mummy (singular). Stop kidding yourself.



Over and over this photographer brings girls to his house, takes pictures of them, makes them change while he spies on them (don’t worry, the audience doesn’t get to see anything!), and then sends the mummy in to scare them and make them faint. Without fail, each time one of the girls sees the mummy, she screams and falls on the ground. Then they tie her up, drink her blood, and kill her. This happens thirty fucking times. It is the same shit, over and over again. We never get to see any nudity, and the gore that is shown would be weak even by daytime television standards.



There was clearly never any script, either, because the entire film’s dialogue consists of model directions, like, “Turn at the hip.” and “Look this way.” And somehow, even though it’s improvised, the actors manage to flub nearly every line. I kept rubbing my eyes the entire time to make sure I was awake and this wasn’t some sick roofie-induced nightmarish trick Tim was trying to play on me. How could this movie be aimed at people looking to be turned on? The women are sickening, the pace is excruciatingly slow, and there’s no nudity.

The whole reason the guy gets caught and this movie actually ends is, get this, one of the girls he killed had a twin sister who could sense that she was killed. SHE COULD SENSE IT. She goes undercover and right before she gets killed herself, some fat cop comes and shoots the photographer and dumps a special juice on the mummy that kills him. Credits.



The tape was released by I.D.S. Productions/WAVE Productions (yes, the infamous company who produces nothing but shitty fetish horror). This VHS release is extremely rare and as you can tell by the cover, it looks like it was done by hand and colored with marker. On the tape itself, written in black sharpie, it says “10/96,” which hopefully means that only 96 of these abominations were released. The marketing used to advertise this movie is so bizarre, too. On the back it says it features “topless nudity” and “bondage.” I can’t imagine the reactions of the horny people watching it when all they got was one flash of a fat girl’s areola and some girls being handcuffed in order to be killed. That is hardly bondage and there’s not enough nudity to even mention. Insanely enough, WAVE offers you the awesome chance to own this masterpiece on DVD-R for a measly $25 plus shipping. How could you turn that offer down?

To call this a movie is a stretch, to call this porn is a stretch, to even call this a piece of entertainment is a stretch. This thing is so rare and so obscure that finding a copy is harder than finding an actual mummy, and that’s a good thing. I thank the Egyptian gods every day that all other copies of this movie must have been buried in a sarcophagus deep within a tomb in Egypt. I wouldn’t wish this upon even my worst enemies and those who dare to try and watch even a minute of The Mummy’s Dungeon should be put on suicide watch or checked into the nearest mental institution.

(Source: vhshitfest.com)

By Dan Kinem

To round out our Camelot Studios weekend, we have an interview with Dave Duncan! Dave has been working in film since the mid-80s on such cult films as The Hackers and Black River Monster. He is also the current owner of Camelot Studios, who distributed VHS in the 1980s, and the former owner of two video stores. VHShitfest is proud to have the first interview with Dave about these films and hopefully it sheds some light on this very obscure part of film/VHS history.



How did you get involved in filmmaking?

My father and I had a recording studio when I was a teen in the 70s, and when the early video cameras came out we purchased two and started offering video services along with audio recording. Our first feature was called The Earhunter. It was written by my uncle and shot in 1984. The story was a western about a bounty hunter who would collect the ears of villains as trophies. It was an experiment to see if we could do it. I shot it with a single tube video camera and edited it, the final product was just released to the cast and crew. It was a great learning experience for me. Also, about that time we opened our own video rental store.

Can you talk about Black River Magic and Black River Monster? What did you do on those movies?

One of our clients had a girls’ summer horse ranch and we filmed shows there every other week during the summer. Business was slow and my father pitched the idea of making features to the camp owner. He liked the idea and we first made Black River Magic. This was written and directed by a college professor from Ohio. Black River Magic was funded by the ranch and so we were able to add a sound man to our crew. The film turned out to be more of a promo for the ranch and didnʼt have a strong enough storyline. Our crew consisted of myself on camera, a sound man, grip, my father and the director. The following winter my father wrote The Black River Monster and the ranch decided to help us produce it. My father had written the story with a certain local theatre talent in mind. With a small budget to cover costs, the Black River Monster was made in 1986.


First picture of Black River Magic on the internet

Any stories you remember?

The owner of the ranch had a large role in The Black River Monster and he was a fantastic person, but was not easy to film. Anytime you did more than two takes you could feel the tensions rising. In our subsequent project, The Hackers, Arnie gets his finger cut off by a saw. He actually had a finger missing due to working a punch press in a factory so we just worked it in. There were a lot more scenes we had written and planned but we ran out of time and money.

How were those films distributed? Did they get sold to video stores or stay locally?

The Black River Ranch distributed Black River Magic. The Hackers and Black River Monster we attempted to distribute ourselves through smaller distributors.

How did The Hackers come about and how was the transition from kids movies to a violent slasher movie?

I was a horror movie fan. My favorites were Texas Chainsaw Massacre, Mother’s Day, and Dawn of the Dead. I noticed that you didnʼt need a name actor to have people rent this type of movie, and there was a core group who would rent every horror movie you had in the store. At this time we had two rental stores. So I talked with my father and we decided to make The Hackers. My father wrote the script that winter and we held casting at the studio. We shot The Hackers over a few months working it in between industrial video projects. My father wanted to work as many local landmarks in as possible to help sell the success of the movie locally.

Also, what was your role on the film?

I had a small acting role at the start of the movie. Iʼm the hitchhiker who gets his thumb cut off on the roadway. I was also the cameraman, editor and music producer.


Dave Duncan in The Hackers

How did you go about getting the movie released on video?

Having two rental stores we got to know some of the smaller distributors and they took them on.

Was it strictly direct-to-video or did it play in any theaters?

Direct to video.

How many copies of the movie were produced and how did you go about selling it to video stores?

The small distributors took on The Hackers and we sold some of the BR Monster along with it. All the local rental stores wanted The Hackers. We ended up selling a few thousand copies through a couple of the small distributors in the West, I believe out of Arizona. We were contacted by New Line Cinema about The Hackers at the time. They had heard about it and requested a copy be sent to their Detroit office and one of the owners (Mr. Shay) really liked it. They sent it on to their New York office where it was shot down because it was shot on video and not film.



All the early movies you worked on were shot on video, can you talk a little bit about that?

Video was our medium, I would have liked to work in film, but unlike the flexibility found in cameras today, film was too cost prohibitive. The most difficult task was the editing and music sync. We had two sound tracks and actually had to physically mark the audio tape with magic markers trying to line them up using a TEAC A3340 reel to reel. On the edit deck itself there were only 2 tracks of audio.

I’ve heard people from around the area still talking about the movies. Are they still embraced and watched there? Do you still keep in contact with the crew/actors who worked on them?

I have lost contact with most, and several have passed away, but I still have people come up to me when out shooting and ask about it.

Can you talk about what movies were released through Camelot Studios? The only ones that I know about are The Hackers, Black River Monster, Black River Magic?

Were there others? I’ve always been curious to know! Just The Earhunter, which was our first.

EDITOR’S NOTE: It can be assumed that The Earhunter was the first (CAM 1001), then Black River Magic was next (CAM 1002), then Black River Monster (CAM 1003), then the next two are unknown, then last, The Hackers (CAM 1006). Through digging I think they also released a VHS called The Black River Horse Capades after Black River Monster, but I am not 100% sure.

What was it like to run a low budget studio and how did you eventually take over ownership?

After The Hackers our commercial business started picking up and we focused on that. My father retired in 1992 and he was the real push behind independent features. I have always wanted to get back and remake The Hackers with todayʼs tools. Now we have cameras that can shoot candlelight and unlimited audio tracks, the limitations are gone.

Is it weird to find out that movies you worked on have cult followings and copies have sold for nearly $100?

I find it very surprising and flattering. I would get emails over the years from people that had seen the movies and wanted to find copies of them. So in 2010 we converted The Hackers to DVD and made it available on our website. One Canadian gentleman who contacted me made a pilgrimage with his girlfriend of all The Hackers sites filmed. He even located the house in which I grew up in, and was the primary location used in The Hackers movie, and sent me pictures. That was the first time I realized that our movie has a following and I was amazed at the influence it had on some people.



What did you do after The Hackers and what do you do currently?

After The Hackers I focused on the commercial side of the business. We did some work for Chrysler and filmed a daily news program for headline news, Local Edition, for over six and half years. I now produce corporate projects, programs for the C-Span Network, documentaries and TV commercials.

Thanks so much! Is there anything you’d like to promote?

We still have Hackers DVDs and Black River Monster DVDs available on our
website. www.CamelotStudios.net

(Source: vhshitfest.com)

By Dan Kinem



Anyone who’s read any of my reviews knows there’s nothing better than a slasher, except for a slasher that was shat-on-hideo that is. The Hackers is one of the rarest of its kind and is likely on most horror fans’ wishlists, if they’ve heard of it. The second I saw the cover I knew I must own this movie, no matter what it took. Thankfully, the hype I built around this was actually met and the movie is a hilarious time capsule of late 80s Michigan that I’m happy to be able to watch and laugh at (and occasionally with)!



The first 20 minutes or so is honestly a gift from God. It opens with a hitchhiker (Dave Duncan) sticking his thumb out for a ride and it getting sliced off by a knife from an oncoming truck… The Hackers repair truck to be exact! The rockin’ theme song, “The Hackers,” kicks right in as you’re introduced to The Hackers Family. You get “Pa” Hacker, the leader of the clan, who is a ridiculous, borderline narcoleptic, 80-year-old man who’s always disgruntled, there’s also Arnie, who “never did grow right” (whatever that means), and finally, the Leatherface of the family, Junior, who bit his tongue off and got chewed up by a chainsaw when he was younger, so now he wears fake, 25 cent novelty teeth and half a tin foil mask.



They spend their time doing odd jobs around town, killing people for fun, and playing on the jungle gym. If someone has a problem with the shoddy job they did on their roof, The Hackers just take a machete and kill the mother fucker. It’s absurd these guys could still be in business since they murder all their customers without getting paid. How do they not get caught? “Pa” even lets Junior and Arnie play around in the daylight at a local park, just minutes after they slit some random punk chick’s throat. It’s pure hilarity to see these two freaks running around with little children, climbing the monkey bars and sliding down slides.



After the glorious playground scene the movie does begin to drag. There are long stretches where literally nothing happens. Characters just walk around mumbling nonsense to themselves. You do get a priceless death scene where a man screams in pain and they use sound effects of a baby crying, but beyond that, the movie doesn’t pick up till the last 25 minutes, where it turns into Straw Dogs. The Hackers begin work on a woman’s house (who would hire them I don’t know) and they harass her and watch her shower. All I could notice is how she didn’t get naked and how her hair is more feathered than a fucking chicken (see cover). She eventually has to make a run for it or else she’d probably get raped by Junior.



She’s chased by the lead characters and has to fight them off one by one. She finally kills them, steals their truck, and is driving away when Junior jumps out of the back and grabs her. It would have been an incredibly dark ending till you find out IT WAS ALL A DREAM and she wakes up!



The movie sticks out above many late 80s slashers because you can feel the sense of community and you honestly feel like everyone, from the housewives to the local drunkards, helped out. It’s great to know that everyone in the town of Croswell, Michigan thought this low budget horror movie was worth working on. Not to mention, none of the people even feel like they’re acting (whether that’s a good thing or not I can’t decide), especially “Pa,” played by Howard Coburn. He really makes the movie, with his constant crotchety attitude and violent behavior. It’s a pleasure to watch the man go from chopping a dude’s shoulder with a machete to reminiscing about his love of boats to taking five naps an hour. I’m sure you’re napping in Heaven, Howie. Thank you.

The Hackers was always on my list of movies I must find. I never thought it would be possible because whenever this bad boy popped up, which was very rarely, it would sell for around the $100 mark. Then the day came where I said “fuck it,” I’m going to win this tape no matter what it takes. I was sick of not owning it and wondering when the next time the damn thing would pop up. So I bid hard. Hard as fuck. I went all out and now I can proudly say it’s mine. Apparently only 3,000 copies were sold back in the late 80s (which can only be assumed is inflated to make it seem more impressive), which makes this a really hard one to come by. It was the sixth release by Camelot Studios, a company that is still around today. They specialized in releasing various shot-on-video projects in the mid-to-late 80s with movies like The Earhunter, Black River Magic, and Black River Monster. I cannot stress enough, if you have the ability to get this tape, do it, because it’s a hard beast to obtain but well worth it. Anyone who appreciates movies like 555, Cannibal Campout, and Sledgehammer will love this film to death. I do wish it would have taken a cue from Black River Monster and only been an hour long, but at 80 minutes it never completely overstays its welcome or gets boring. Overall, it’s a joy to watch and you can buy DVD-R copies and posters (!) straight from Camelot Studios here.

(Source: vhshitfest.com)